unreleased versions plus bonus track hotel room service!!

muffler tears it up on this latest release from sigh co records. on the a side >dirrrty< kicks off with suspensful strings before dropping into a tech based stormer with its grumbling bass and rolling beats. whilst on the aa >mankind< keeps the groove more minimal, relying on the b line which sounds like a digeridoo on crack with subtle hooks and stepped beats.

trademark is the collaboration of tony reeves and tundra records labelmate loki. formed in 2000, the trademark project blends electronic studio craft with the live influence of their years playing jazz. trademarks output ranges from chillout through breakbeat to deep house and even drum and bass, but always with the fusion of deep jazzy chords, rolling beats and searing synths that define their style.
ia2 showcases all kinds of broken beats and trademark here provide another 3 varied tracks, with great support all round. new frontiers is a funky, upbeat broken dancey track and has had loads of support from promos. great progression through the track and some great riffs and percussion. outworld has been compared to early earth stuff from bukem and cafe del mar stuff, deep broken beats and sunny pads, great arrangement. lovely deep bass and textures. south central is a more straight up broken track, probably the most chilled of the bunch live live sounding bass and a nice deep vibe.

buzz chart and cool chart top ten with spins from tong, mark knight, guetta and a load more of the big guns. big house with big appeal...

trademark is the collaboration of tony reeves and tundra records labelmate loki. formed in 2000, the trademark project blends electronic studio craft with the live influence of their years playing jazz. trademarks output ranges from chillout through breakbeat to deep house and even drum and bass, but always with the fusion of deep jazzy chords, rolling beats and searing synths that define their style. this year sees the pair return to their roots with some deep, tech-house grooves for the discerning clubber.
ia stands for 4/4 beats and the label starts with a bang with three great and quite different 4/4 tracks for many deep and tech floors, and tropic of capricorn for more chilled moments. elevator is crisp deep/tech house which slowly builds and just rocks! with a wicked solid deep bassline too that keeps things really groovy. jack o diamonds also has that clean crisp sound and groovy bass with synth stabs and lots of funk for loads of different dancefloors. its a bit more upbeat than elevator and also has wicked deep bass to keep peeps movin! saturn 5 is deeper, darker, subtle and just a massive deep phat sound which is totally awesome on any decent system, wonderful deep textures and pads - just really lush. tropic of capricorn is a deep detroity broken beat track that compliments the others. crisp production again and not too cluttered, it does what it needs to and works in many different situations.

after the success of their collaboration with paul thomas on last years festival anthem >arena<, mark knight and funkagenda join forces once again on one of the most eagerly anticipated tracks showcased at this years miami wmc.
>good times< is the feel good anthem of the summer comprising of a modest intro with a warbling bass line driving slowly through collecting sounds, before opening up into an edgy synth stab and finally the insanely catchy vocal hook >these are the good times<! the track drops back in like a speeding locomotive train going full steam ahead, with cleverly placed percussion, fx and siren sounds soaring to create an intense rhythm.
on the flip, >flauta magica< shows the diversity of these two acclaimed producers when they get in the studio together. taking a different route from the lead track and concentrating more on the groove, >flauta magica< chugs along nicely with an almost tribal percussive feel to it. the excellent chanting vox sample, reminiscent of the early house sound, keeps the groove rolling along into the drop. taking the lead from the tracks name, a whistling flute riff drops elevating the musical vibe to a new balearic level.

as mnx recordings reach double figures they welcome the legendary alex cortex and longtime collaborator lopazz aka bad cop bad cop to the fold with a blistering 4 tracker of live, raw electronics aimed squarely at your frontal lobe aswell as the dancefloors! this work covers the finest elements of deep minimalism, industrial and acid, and keeps it fun with the feeling of a live performance, if anyone can try this approach and pull it off it s these guys! all the tracks are joined together by abstract field recordings from the london underground which add to the murky strangeness of this release! alex cortex has been putting out quality underground music for over a decade with notable and now highly sought after releases on source, klang, and pal sl, with more recent bombs being delivered on platzhirsch, pomelo and of course our very own wireblock! lopazz too has been busy releasing gems on labels such as trevor jacksons output and more recently get physical, were he has been getting a lot of attention, but it s when these two guys team up in the studio that the magic really starts to happen, so waste no time in getting this release because as always its gonna be highly limited!

welcome to rebel intelligence - the new label is ready to make you pop like it was 1984 all over again! their first single is by the uks matt whitehead, one half of signal type (along with phil bolland on the cultivated electronics label) and captures the style of early electro funk in all it s analogue glory. so good! the a sides >beat the heat< is the more pacey of the two tracks here, constantly building with vintage synth stabs and the true feeling of electro, reminding us of harold faltermeyer and all those cats so heavy influenced by kraftwerk. on the flip, >tuff city< combines classic b-boy sounds and punchy drum programming to create an authentic listening experience that will make you want to get your lino out and bust some moves. highly recommended.

supported by: matt star, tim green, angel molina, butane, nico purman, daniele papini, okain, maik loewen, syntec...
for >la gorgona< luca has been working at studio with his old friend telly quin in hamburg. they ve been recording several sessions using different drum machines and analogue gears. their sessions resulted in two creative cuts >la gorgona< and >2 de noviembre<. this ep comes along with spicy remixes from 2 of todays highly acclaimed latin american electronic music artists. argentinian virtuoso franco cinelli delivers a very hypnotic and deep interpretation of >la gorgona< while chilean talented artist alejandro vivanco stays more on the melodic & tech-house side.

for release n° 28, long-time clr artist alex bau returns with two massive new tracks full of good ideas and positive energy. chris liebing had the pleasure to play out the disaster-mix for quite a while and to convince himself of the unexceptionally sensational crowd reaction. the rhythm is permanently varying, the atmosphere often changes immediately and the sounds come and go in surprising ways.
the flashback-mix is wonderfully thrifty and has a powerful bass. alex bau once more shows versatility and dedication to experiment with rhythmic and sonic possibilities. the slow building and the subtle use of beat variations and breaks underline the almost mesmerizing effect of this outstanding groove.
chris liebing considers the clr 28 the best alex bau release on clr so far and is already looking forward to your comments and critics.

after the smash that was shatnereffekt one, handsette recordings return, bringing a host of diverse and super talented artists from around the world together on one massive ep and another essential array of electronic music.
kicking off the ep is kritical audios >spandex<, a tune that comes slow on the heels of the swedish duos 2006 braindance monster >krupp<. the swedish duo have come with an itchy slice of razor sharp electrofunk with a burbling acid bassline thats currently being caned by surgeon and rob hall (who says, i ve been playing the kritical audio track a lot. good stuff )... this is a big tune!
next up we have miles tilmanns >spirex< which starts with a wonky off beat that gives way to some wacked-out rubbery bassline action and a lead line that could have come from the keyboard hands of harold faltemeyer or parliaments bernie worrell.
following that is c. mantles >that other eden<. fearsome and delicate, morose and savage, >that other eden< is a serious piece of dancefloor heft with reese basslines burbling under a clattering beat before dropping away into a slightly terrifying double-drop breakdown.
unity gain temples >sahmo< rounds out the ep with a glistening, truly beautiful piece of work. the heavy kicks of the intro are met by a rush of lush chords and deft touches of melody, driving the track into a space that is pure audio luxury and reminiscent of brothomstates, arovane and tippers more contemplative moments.

dave huismans aka 2562 with his a made up sound project. archive contains four raw house tracks from the vaults with their roots in detroit and chicago house. ‘bounce’ and ‘disconnect’ combine the best of two worlds: the more traditional sample based house grooves and the spacious sounds and wrenching sub bass that have become his trademark. the same goes for the other two tracks... ‘wire’ is a phat acid track with a great drive. a strange atmosphere and a unique combination of classic structures with new and old sounds. this track will make sure that the sweat is dripping off those basement walls! ‘on&on’ has that catchy drunken beat slightly reminding of some theo parrish productions... finished with futuristic technoid synth stabs and pulsating acid-ish bass sounds that make this a great abstract & stripped-down house work out! killer!

the new series for raw no-nonsens techno and house tracks. some straight up techno... some edgy, exciting and fresh, sometimes just plain functional dj tools. first one is mike dehnert with his solid umlaut track that was overlooked by many when it was released on his own fachwerk imprint. mike is one of the big talents with his own trademark sound.. something we don t hear to often! 3 unreleased verions of umlaut2... mikes first unreleased mix, slightly housier then the first one, the umlaut2 new version which is a straigth up club tool. big surprise here is the remix by levon vincent! a new talent from new york that got his name on the map after 3 incredible releases on his own novel sounds and deconstruct labels. he did a more then excellent job with his dirty and housier version. levon did lay down a crazy groove with an old fashioned hook line (very n.y. house) and mold it into a fierce techno track. fresh and completely different then most techno out there these days.

amp is a bag inspired by the typical guitar amplifiers, most of which, have come to define the sound of major or more underground rock bands. we pay homage to this legendary machine, by using its image for synch’s largest bag. the bag has an easily removable internal shell, that protects the content, giving it at the same time the appearance of a real amplifier. at the back of the bag you can find a big pocket, extremely practical for immediate use. the amp bag can be used as shoulder bag or as backpack.type: backpack & shoulder bag dimensions: 39 x 14 x 31 cm material: printed pvc extra: large external pocket, removable internal rigid body

altair nouveau is among the spaciest of dfaÆs recent signings, a producer clearly as in love with the soundtracks of john carpenter as he is with italo covers of classic rock tunes. >space fortress< saves its best for the final two minutes with a synthesized trumpet lead thatÆll have you either pumping your fist or reaching for the off switch. >showdown<, meanwhile, more adequately gets at mitchellÆs soundtrack love, with its pleasantly percolating backing track giving a chance to various sounds to prove their worth. >sorcerer< embraces the hints of flourish that mitchell dropped in spots elsewhere, and goes full-on with the funk. itÆs tough, well-produced and a little bit funny to listen to in the privacy of your own homeùjust like the 80s soundtrack music that it so readily recalls.

determined to write a new chapter in nycs long history of dance music, marcos cabral and jacques renault (think dfa, rekids, im a cliche, wurst edits, chinatown, editions disco, rvng, trapez, and more) have decided to launch their own record label on the prowl. with a heavy nod to american classic house, techno, and disco, otp listeners should expect a variety of sound that will propel them to dance for years to come. the first otp instalment entitled the poltergeist throws a heavy blow of dark acid bass, todd terry-esque stabs, and proper dubbed out distortion for a feeling that will leave listeners floored... leaving even the most stubborn of listeners open for more. house music, raw and unrestricted. the b-side, not to be overshadowed, brings us dont block the box. an a-side in its own right, delivering us good old fashioned house music with hypnotically filtered samples and pulsing arms in the air swells of resonance.

an unapologetic and raucous party track roughly assembled from the rawest funk and married to a massive speaker shredding clanking riff, produced by some freak the minute we heard this demo, we knew we had to find a way to release ippfspecialops is a platform for new recruits to the ppf cause to present their work to the wider world dropped by the ppf at electric chairÆs end of year riot party, the unabombers immediately dived on the scribbled cdr after witnessing its roof raising power first hand. several months later, they provide one of their rare but priceless basement rocking remixes. in house activists leo zero and the ppf comandante himself also contribute two totally varied and guaranteed dancefloor busting reworks, already wreaking havoc at optimo, horse meat disco and many more cathedrals of decadence. bespoke label artwork from cyanide graphic one limited edition pressing

misc. return to perc trax after the success of their wave after wave ep at the end of 2008. that ep picked up huge support from adam beyer, carl cox, paco osuna, gabriel ananda, nihad tule, derrick may, someone else, cari lekebusch, john selway, drumcell, michel de hey, jesse somfay, remute and many more.

big with luke slater, r. hawtin, monika kruse, adam beyer, luciano, deetron, loco dice, len faki, dj hell, ben klock, nick höppner, paul ritch, technasia and many more

is it balearic return with the seventh release on their acclaimed label ! is it balearic..? recordings present the deadstock 33s - a very >spicy< journey into wide screen space dub from the mind of justin robertson. >drifting on a wave< is a lush sweeping electro dub soundtrack from the master of dapper balearia ! despite perhaps being more well known for his heavy weight club sets, justin was instrumental in establishing the deep roots of manchesters balearic scene, along with aficionados moonboots and jason boardman. his spice night was a legendary event in the north of england and added a distinctly english spin to the balearic blueprint. celebrated underground edit maestros main stem tackle the remix, creating a beautiful epic balearo-dub soundscape which already sounds like an adriatic classic finally >echo sound< wraps it all up in a slow motion cosmic disco fashion, with more than a little italo swagger, twisted in all the right places. is it balearic…?-oh yeah

melting vocals, slinky cuts and gorgeous beats. after her succes with ôblack candyö, jenn continues with some more delicious tracks. her brand are the unmistakable vocals and the forwarding beat. with ôbeauö she creates a funky summer track that cheers you up for sure! ôms tipsyö just wants to dance before she writes a little ôfarewellö letter to her ôbeauö. what a summer!

demetrio giannice is an italian swiss living in zurich & very active in the underground house scene. he recently released on his own enterbt records label (enterbt means disinherited in german), and soon to be released on drumpoet. third ear recordings have had this ep for more than a year. we ve been itching to get these deep house jams out there ever since we got them, and now here they are.

chymera returns to nrk music, this time with a two track ep of slick and deep techno house. 2 below is a gorgeous techno track, starts off very delicate and just keeps building and building with some warming chords, swirling melody and driving drums, reaching a chaotically soulful peak, let this track wash all over you! the second cut, saphiron, ploughs a more housier route for chymera, with a very functional production of deep keys, groovy bass and tight percussion!! ltd backstock

in the sequence of numbers the seventh follows the sixth blow. this one is the first ever solo release by daniel d. curtis featuring three tracks. a sides first minutes already forebode the expressiveness of before we come. with well known techno structures in the background the magical spheres literally embrace and motivate every summer lover to a hip swing. after the first zweikarakter contributions and remixes, which are on pt006 (bachner & biereige - home summer) there is nothing more to mention than to listen, feel, and the artists request to get paid.

strut present the story of one of the most influential and revered labels emerging from new york in the late >70s and 80s<, ze records. after the late 70s punk and new wave explosion in new york, ze became a by-word for the anything-goes culture clashes that typified the big apple during the early 80s. formed by french art student michel esteban and british journalist michael zilkha, ze quickly created its own unique independent universe, signing artists as varied as alan vegas electronic postpunk pioneers suicide, trash disco queen cristina and maverick producer august darnell a.k.a. kid creole. with estebans sharp graphic eye leading the labels visual identity, ze hit the new york zeitgeist head on and became supremely hip û in 1982, the face magazine nominated it ôthe most fashionable label in the world.the labels early success led to a deal with chris blackwells island records, which gave zes releases worldwide exposure and brought worldwide fame to kid creole, was (not was) and more. over thirty years on and ze remains one of the great cult labels of its time. with this new compilation, strut takes a snapshot of the many weird and wonderful fusions that surfaced on its famous nyc cab-influenced yellow and black label. highlights include one of the earliest outings by was (not was), tell me that im dreaming, a disbelieving commentary on reagan-omics, bob blankÆs short-lived disco supergroup aural exciters and a larry levan mix of kid creoles biting parable about corruption in the caribbean, theres something wrong in paradise. other featured artists include ze label regulars cristina, bill laswells material, kookie french experimentalist lizzy mercier descloux, and camp disco-electro icons, les garcons.

teaming up with the legend that is francois dubois. the first time the pair have worked together since the labels first release. the pair turn out a devastating house workout. deep warm synths, and heavy, killer keys, create a wonderfully moody, traditional workout, ready for all floors. on the flip, h turns to irish don and barcelona resident chymera, who turns in an electrified version of the original. injected with more pace and power than the original, the elements from the lead track hit he floor with added urgency. a great tech-infused cut, that will find favour across the board.

before you dive in the regular sales fodder i would like you to ask yourself this question: what if humans arent the only living creatures who can create & enjoy art...? well, meet a true & genuine artist at heart and take a minute for michaels story. totally moved and inspired by the life & work of michael, the silverback gorilla who talked sign language who unfortunately passed away in 2000 after a fatal heart failure, ronny & renzo produced this incredible song me, myself, good after the same titled painting by the hand of the late and great michael... may he rest in peace. ronny & renzo their original version is a 9 minute+ moving epic that not only looks back in sadness at the pain & horror michaels life started with when poachers killed his mother in front of his eyes. it equally celebrates the love & comfort, the guidance & protection he enjoyed while he and koko were adopted and lovingly raised by dr. penny patterson and dr. ron cohn. because of the serious and delicate nature of this tribute release we couldnt think of anyone more appropriate than dance exotica pioneers quiet village to perform the remix. these two extraordinary gentlemen lead you by the hand into the heart of darkness, to a meditative place somewhere deep in the jungle only they know of... after more than a year of silence, a new king kung foo release sees the light of day throwing the label right back in the leftfield disco game. these amazing recordings will not only have their impact on an ecstatic dancefloor but will also be the ideal soundtrack to a lazy sunday. enjoy! pressed on a limited quantity of 1000 copies and no chance for a repress, this desirable twelve inch with powerful cover art will be sold out in no time. but the most important thing here is that koko needs your help! so for each copy sold a part of your money goes to the gorilla foundation.

almost two years after his highly acclaimed debut, fabian bussmann is back with a release on debox. and the waiting was worthwhile! sometimes i m invisible is a remarkable piece of work and shows a recognizable advancement in fabians production skills. >or else< on the a- side is predestinated to be played on a big sound system: dark, athmospeheric, reverberated with lots of freaky delays and effects and equipped with a powerful bassline the track creates a tension that will surely massively discharge on the dancefloors this summer. the remix on the b- side was created by bastian buesser who recently attracted a lot of attention with his releases on debox and endlich elektro. buessers interpretation of the track is a deeper, more playful approach of the theme. without touching the basic structure of the track he constructs a more relaxed, athomospheric vibe, taking back the tempo and adding a new bassline to the adaption. the title track >sometimes i m invisible< clearly distinguishes from the the a- side and presents a different side of fabians work coming along with a groovy bassline and lots of percussive elements.

the original instrumental mix of stardust was one of hed kandis favourites at el divino last summer, and with the new season already taken off with the ims and the opening fiestas last week, ibiza is the perfect place to drop the new vocal mix, which really sounds like the long awaited vocal version of pjanoo that has never seen the lights of the day. this adds a monster loleatta holloway sampling vocal to the large twisted disco groove of the original. a massive bomb that is set to be a big hit for the usuals! skylarks andy chatterley takes to the controls with a powerful interpretation, complete with sharp driving drums and an underlying techno rhythm. a more stripped down dub mix is enclosed also for those who like things a little bit darker and deeper. last but no by means least, tim hudson, fresh from his latest here comes the sun release on hysterical, turns in a hypnotic house groove to make you smile.

enough of this featuring crap, the starring title seems much more appropriate for club siren luciana. as featured vocalist for bodyrox, the hits yeah yeah and planet topped club charts and led to her cheekily titled debut cd featuring luciana. further tracks with mark knight, super mal and martijn ten velden, have cemented lucianas spot as an electro vixen who can deliver hot vocals with a great track. turning her attention stateside, she has teamed up with richard vission & static revenger for i like that. remixes come from new boys meterhead who hail from la and are doing big things in blogland. the track seemlessly blends electro, glitch, rock and hiphop elements with an 80s feel that is both nostalgic and futuristic. limited edition promo get em while you can!!

a digital hip hop dub floor shaker we rewind is impossible to resist, flore matches rodney ps good time vocal flow with woofer wobbling and 8bit bleeps. not forgetting the 4/4 bass line, b more, breakbeat mash up crew (!) flore throws down a rocking n rolling club mix of we rewind, guaranteed to set any floor alight! on the flip flore lays it down with the kuduro infected the test teaming up with shunda k of silver tongued hip hop duo yo! majesty (domino records). shunda k has worked with deekline, kotchy, peaches (xl/beggars banquet) and featured in a 2 page spread and nmes cool list number 41.

(einzelkind rmx) early plas by radioslave, tobi neumann, matthias tanzman, mathias kaden, thomas schumacher .. tru house fonk! .. chaptal is burning .. yet more house, sure still sexy....

played by richie hawtin, nick holder, popof, gel abril, steve lawler, someone else, technasia, matt john, fabrizio maurizi, joseph capriati, delete & oliver ho ... limited 10inch only 500 copies / no repress!!!! / be fast originally released only digital with the supertight ep people kept asking when this will be finally out on vinyl,....back in the days the digital truckvolume release got charted by chris liebing and pan pot and now emerson decided its finally time to put that out on vinyl with an extra fat special bonus remix. the guy who remixed this tune is called m.in and he is hot on the heels of people like nick curly or nima gorji and many others. he produces his own definition of excellent house tunes and is about to release on labels as various as international freakshow, murmur, souvenir, get physical, get digital, merkesdir, off, höhenregler, keinemusik, frequenza ltd., polar noise, hypercolour, and more. his micro.fon ep debut is set for release after the summer and it s gonna be a huge bomb too. so prepare for a blast and check out this very special limited vinyl only sneak preview

following in the shadow of the jisco music reedit series comes a new home for original music. under the shade hopes to promote new and old talent groomed from the disco underground. first up is new boy chambochÚ growing up sandwiched between the coast and the valleys of coastal mid wales, nature was sams first love. this taste for the epic, organic passages has been fused with pop sensibilities from an 80s childhood to shape a unique musical outlook. regular dj appearances at nottinghams stealth combined with residencies at some of the most forward thinking electronic nights in the midlands saw him develop his taste for the groove. the hooks of producers such as todd terje, toby tobias, lindstrom and ?me soon began to take hold and turn his hand towards crafting slower, more melodic grooves. after completing a series of tracks, which caught the attention of gerd janson and mark e and then road tested with success at londons seminal plastic people û chambochÚ was signed to under the shade with a string of releases in the pipeline. with additonal strong remixes by production team of the moment the revenge and pete herbert this already got huge support from tim sweeney, gerd janson ( running back ) or the horse meat disco crew

richard sen (padded cell / bronx dogs) & cazbee (legendary graffiti artist) present a trio of new leftfield edits, suitable for the more open minded disco dancefloors. on the a side playback, is a fashionable midtempo euro funk groover. on the flip mad high is an uptempo string stabbed dancefloor destroyer. finally b2 schizo is our favourite out of the 3 is reminiscent of nu groove and early house. the original newave track is a chicago underground classic. the two recent mbc releases have seen support from dj harvey, andrew weatherall, prins thomas, idjut boys, cosmo vitelli, optimo, cherrystones, tim paris, moxie edits crew & dc recordings soundsystem

chris special is destined for big things in 2009.original mix might be the most catchy tune on noir music to date and the whole soundscape of this track oozes summer, ibiza and happy people. we are taking no prisoners on this oneàà the perfect mix between credible tech house and the more commercial and catchy melodies. this tune would work perfectly in every club around the globe and yesàà thats how good it is.

support by dave clark, miss kittin, laurent garnier, oliver huntemann
with different releases and remixes on labels like anthonyrothers datapunk, huntemanns dance electric and different (tiga, garnier, agoria), xenia beliayeva and her production partner andré winter have recently set up a highly respected reputation. >analog effekt< comes longwith the original which you can check on youtube while huntemann spinning it and the more techhousy andréwinter remix.

loco & jam have been causing quite a stir recently with their outings on fergies rekluse label. they join hedgehog with a devasting techno bomb ?8am curfew, which is already destroying dancefloors the world over with huge support from the likes of joey beltram, laurent garnier, slam, joseph capriati, misstress barbara, tom hades, cisco, christian smith, ramon tapia and many, many more. remix duties come courtesy of italian duo piatto, who are making a name for themselves and growing into an excellent up and coming production and dj act. once again enormous big room techno with huge production to match. this release is killer!

heres the greatly expected album from edbangers wizard krazy baldhead. in 2009, krazy baldhead gives us his first album, >the b-suite<, four movements and 49minutes of music. we find tes again on a track, and outlines on the single >sweet night<. more than ever, krazy baldhead proves that ed banger records isnt only the label of a sound, butwell and truly the label of an era, is it an electro album? a hip hop album? up to you to estimate.

jaxson & david keno, both from berlin, join forces & one more time they underline the fact that combined strength is hardly to ignore..with releases on labels like kindisch or high freaks, they have already established their name in the scene. with these 3 track release we re proud to deliver our part to that summer . jaxson & david keno created an intense piece of deep and harmonic tech-house

deetron pops in with two great remixes, turning the original into a stomping, screaming rework that gets just as epic. the believer mix is a 8 minutes epic featuring deetrons typical fusion of classic detroit techno with some crisp acid touches and corrina stunning vocals. the spring leaves mix shows a more soulful side with a deeper vibe, rhodes and rollin beats ! pitto, after his big feeling record, is back with a little help from joris voorn for a hot remix, using a killer bassline over a simple groove and tweaking the vocals for an effective game!

the party style gang are back and they re bad! two more killer booties from the mysterious 4zuba!

the third release in audions slow-drip of new music is a devastating trifecta, a trio of tracks that hit hard and leave a mark. with each taste of the new audion, it becomes clear that matthew dears dancefloor alias is deeper, darker and more nuanced than ever before while maintaining a lose-your-mind edge that is impossible to resist.

minimal from spain with a pushing swat-squad mix and a more relaxed mix by mike shannon

as house continues to take its stronghold over techno, even in berlin the epicentre of all things minimal, we gear up for a summer of ‘actual’ dancing over regimented arm pumping and head nodding. having impressed laurent garnier, m.a.n.dy, solumun, karotte, tg (tim green) and ellen alien last year with his collaboration with enzo elia, martin patiño caught the attention of true to form with his fresh, playful approach to house and techno and hypnotic percussive elements .born in italy, but with south american roots and now living in berlin, you can hear vibrant audio recollections seeping onto every groove. citing dali’s surrealist paintings as another creative reference (a nod to which is contained in the track title ‘the tempation’), you could say martin draws on the atypical compared to your average electronic producer.the result is the blissful simplicity of ‘sundays’ on the a side, percussive, sundrenched and a perfect am terrace lifter.on the flip side is peak time tech house groover ‘the temptation’ and a hypnotic, dub heavy remix of black dahlia (the original of which will appear on the digital only release) produced with long term cohort enzo elia. true to form, now in its 5th year, showcases tracks and remixes from such respected producers as pan pot, gavin herlihy, jesse rose, samim, pascal foes, mikael weil, justin maxwell, claude von stroke, subjekt, tom ellis, leif and more

disconet was created as subscription program service, which professionally selected and mixed disco music for discotheque djs, mobile discos and radio stations. disconet is called as the granddaddy of all remix services and provided mixed/segued dj dance sets, not only to make the djs job a little bit easier, but to expose club goers to new music. the djs spinning at the height of the disco era were given access to a new creative tool - a different interpretation of current dance tunes to wow club goers. originally, the disconet records were to be issued on a monthly basis which were limited to 1000 - 1500 copies of each volume. the first disconet record was released in october 1977. disconet team at that time was: tom savarese, bobby dj guttadaro and kevin guilmet as well as mike wilkinson. tom, bobby and kevin were dj legends, who had already been awarded with the dj of the year title by billboard. these greatest hits volumes contain their finest work, the original licensed disco edits of all the floor fillers of the time that have been re issued for your listening pleasure. expect many more volumes in the near future.

more italian remixes by thomas oldani/ ciskoman vs brizio/ disko machine & marco j/ rudeejay vs gambafreaks

next keinemusik killer!! excellent mindblowing minimal stuff.. big with tiefschwarz, joris voorn, dj emerson, solomun, claude von stroke, monika kruse, popof, stacey pullen and many more..